12/13/2023 0 Comments Malibu beach nightmare hanoi rocks![]() And the setlist - altogether there was 37 songs, including DEMOLITION and the original HANOI lineup… The original HANOI lineup played nine songs, actually, in the end… The emotion and the feeling was amazing. ![]() It was a big undertaking, and I worked on it quite a while. ![]() Speaking to Rockfiend about how it felt to perform with the reunited original lineup of HANOI ROCKS at his 60th-birthday gig, Monroe said in part: "It felt great. To top the event, the lights and visuals are designed by the internationally acclaimed worldwide phenomenon Mikki Kunttu. The almost-three-hour-long concert allowed fans to hear many Monroe classics throughout evening. In addition to the original HANOI ROCKS lineup and DEMOLITION 23, several top musicians and artists who collaborated with Monroe over the years took the stage. ![]() This was DEMOLITION 23's first performance since the band's breakup in 1995.Īt the 60th-birthday show, Monroe was mostly accompanied by his longtime band consisting of Sami Yaffa, Karl Rockfist, Rich Jones and Steve Conte. Led by Monroe, the band rose to great cult fame, although they only released one album ( "Demolition 23") in 1994 and broke up shortly afterwards. The "support band" for the show for Friday night's concert was the reunited DEMOLITION 23. Prior to Friday night's performance, the quintet, which started a historic chapter in the world's music scene, was last seen on stage at Helsinki's Tavastia on July 27, 1982. As the grand finale of the concert, the original lineup of HANOI ROCKS, one of Finland's most significant rock bands of all time, took the stage: Monroe, Andy McCoy, Sami Yaffa, Nasty Suicide and Gyp Casino. They get extra points, as well, for having one of the more entertainingly crude song titles around: "Lick Summer Love.Michael Monroe, who turned 60 in June, celebrated the milestone with a bang on September 23 at the Helsinki Ice Hall (Helsingin Jäähalli) in Finland. In their own way, they weren't so much pioneers as followers of a style that not many attempted at the time. More so, admittedly, when things suddenly kick into the brilliant rocker "Malibu Beach Nightmare." Other songs, like "Beating Gets Faster" and "Ice Cream Summer" (gratuitous misogyny aside), may be more Hanoi Rocks by-the-numbers, but it's a good enough pattern to follow. One thing's for sure: calling the first song "Strange Boys Play Weird Openings," and having it be a mock rustic folk song - with acoustic guitars, flutes, and chirping birds - is a great way to have fun. Thus, the full-on glam stomp, mock- Burundi drums, and animal noises during the merry romp "Tooting Bec Wreck" (one of many Hanoi Rocks songs paying homage to home-away-from-home London), or the clearly obvious "Mony Mony" steal from the title track, with reverbed vocals working wonders. The aura of '50s rave-up, '70s glam party, and '80s hard rock chaos that the band made their own sounds even better than before, but the production duo also made even more room for intriguing experiments within the songs themselves. Whatever else they brought to the sessions, the duo makes Hanoi Rocks sound like a much more powerful band than before compared to Self Destruction Blues, the riffs are more explosive, the drumming pounding, and Michael Monroe is in full swing. Having so obviously worshipped at the altar of Mott the Hoople for much of their career, it's little surprise that for their fourth album Hanoi Rocks went straight to the source, getting both Dale Buffin Griffin and Pete "Overend" Watts to produce Back to Mystery City.
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